A lot of personality in the movements. Crucial for good artwork. Also although some of the characters you are drawing (like Pepper Ann) have limited designs, you are still able to give them big, easy to read facial expressions.
ye it’s rather violent, but i saw the light, courtesy of bugs bunny-shaped imp that turned into a grotesque heck-demon
(also first person to guess what comic cover this is referencing gets free acclamation)
It bugs me how when you say Looney Tunes, most people jump to the 50's Chuck Jones shorts as the default. I'm not trying to throw shade at Jones; he was great and the 50s LTs were great, but the 40's shorts shouldn't be overlooked; they're that much better IMO.
Greg Johnson currently writing on Spidey And His Amazing Friends makes me wonder why he didn't write for a Spiderman cartoon sooner given his experiences with Marvel.
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